Music video: Alexi Murdoch’s lovely song ‘Orange Sky’ with my sunrise, sunset and moon photos.
http://sway2this.com/2011/12/13/alexi-murdoch-orange-sky/
Originally I posted it on sway2this.com, my photography blog – It’s also on YouTube.
Music video: Alexi Murdoch’s lovely song ‘Orange Sky’ with my sunrise, sunset and moon photos.
http://sway2this.com/2011/12/13/alexi-murdoch-orange-sky/
Originally I posted it on sway2this.com, my photography blog – It’s also on YouTube.
DTW Detroit Michigan Airport is civilized at 9 a.m. on Christmas Eve day, December 24th, 2016. Terminal A is quiet. No one is freaking out or running to catch a flight. A lot of airport workers are moving about in clusters, chatting with each other about hospital visits and annoying bosses.
I have a four-hour layover, so I cruise the food choices and decide on Longhorns restaurant, not least because they are playing Motown hits on satellite radio. The Classic Breakfast is two eggs, biscuit, hash browns, bacon or sausage. I am seated at a table next to the enormous west-facing windows. Outside, the rising sun illuminates the space between A and B terminals as Delta jets taxi in and out like graceful solo skaters. Every few seconds a clean, crisp white jet leaps off the runway just beyond Terminal B into the cloudless morning sky, into the southerly wind. The jets escalate swiftly, just like all flying things.
Earlier, as I approached the down escalator to the tunnel between the terminals, I walked behind a tiny girl who was trailing her mother. On her back, she carried an overstuffed candy-colored backpack almost half her size. Her slightly older brother was several strides ahead of her, and ahead of them both, already on the way down the escalator, was their mother, a telescoping roller board suitcase handle in each hand, and another large backpack on her own back.
Escalators still alarm me, so I watched the little girl as I followed them. I remembered when I was this little girl’s age: the risk of falling (or worse!), the nervousness of my own parents, the panic of choosing that terrible second when you must step onto the moving stair, the visual disorientation — where do the stairs come from, where do they go? — the sound of the escalator’s rhythmic rumbling, clacking, and sometimes screeching. Terrifying.
At the top of the escalator, the tiny girl hesitated. I was right behind her, anticipating this very thing and ready to assist. She stepped down, not holding onto the handrail, lost her balance, stooped, and began to cry quietly. Mom was unconcerned, or not showing it. “C’mon,” Mom chirped, “let’s go.”
I reached down and gently grasped the girl’s upper arm with my left hand, saying, “You’re OK.” She was crying but not too hopelessly, looking at her feet on the stairs that she straddled, half on, half off. We descended. A man on the parallel escalator was also descending. He reached over the divide, touching her shoulder with his big hand and said loudly, “You’re OK, you’re OK,” repeating it because the tiny girl was not convinced. Slowly she reached up with her left hand to grasp the handrail. “Good job,” I said. She continued to cry quietly.
“C’mon, we gotta go,” Mom sang, glancing over her shoulder, ready to step off at the bottom. The girl’s brother watched from a few stairs down between mother and sister, a bridge between them. At the bottom, he hopped off, turned to watch her. Adults nearby looked ready to intercede. But we knew the little girl had to learn the escalator rules, had to conquer her escalator fears. We all remembered.
The cloudless Detroit sky absorbs all birds leaping up and curving away, going everywhere. Diana Ross sings, Set me free, why dontcha, babe. Al Green sings, Let me know that love is really real.
© 2016 Patti Witten
My song, “April Fool” (from CD ‘Tell The Wind,’ produced by Rich DePaolo) with my own photos* and video —
*the CD cover image is by James Nelson (Getty Images).
My song, “Perfect Blue,” (from CD ‘Tell The Wind,’ produced by Rich DePaolo) with my photos:
A deep winter song, for the longest nights, the coldest nights, when your breath opaques the air and the snow squeaks under your boots.
Video: When The Horses Start Singing
Lyrics:
On the coldest night of the year
Everything stops
No spin to the earth
No turn of the season
Words have no meaning
Black sky curves overhead
Inverse of snow
Sublime, absolute
We are mute with conviction
Then the horses start singing
We were waiting for the reset of time
We were waiting for this moment to arrive
We were waiting for it all to synchronize
On the coldest night of the year
when all the words fail
Our breath falls like diamonds
Language is silenced
When the horses start singing
We listen
Here is a song written recently, featuring water in 2 forms:
What I Am
I am a city of millions and millions of thoughts
Each one a snowflake in a storm of wars won and lost
Streets and boulevards, tunnels, alleys and towers
Neighborhoods, boroughs, parishes, heroes, and cowards
Here is the church of thinking
Here is the temple of drinking
Here is the grotto of loving
Like Venice, I’m sinking
into the sea
I am an ocean foundering drowning in wishes
Pooled ’round a melody I offer anemone kisses
Undersea mountains, canyons, shipwrecks, harpoons
Icebergs and gillnets, hurricanes, dead calm and whirlpools
Here is the current of yearning
Here is the riptide of turning
Here is the soft sand of landing
And oil rigs burning
All this is me
I am a phantom, a photograph, magnetic forces
A tracing of arteries, flock of birds, herd of wild horses
X-rays and gamma rays shot ’round a circular pattern
Throwing off photons, probing the essence of atoms
Here is the first explosion
Setting the universe in motion
Here is the very last lesson
To answer the question:
what will I be?
I just came upon this article I wrote as a MusicDish open post in 2002.
Durango Songwriters Expo Oct. 10 -12, 2002
Archived at http://musicdish.com/mag/?id=6811
Two music writers and musicians video-blog about their favorite albums, in Music Worth Buying. In this episode, Rosanne Cash and me 🙂
On a recent visit, my talented friend and music colleague Shauna Guidici urged me to create a video for my song, “Walk A Mile.” I recently bought a Flip HD recorder and so I went out and about shooting B-roll. Then I gathered stills from the web and put it all together in iMovie.
It’s one of my favorite songs. The acoustic guitar is tuned to CADGBE and a capo is set at the 5th fret excluding the low string (C). That string acts as a drone for the tonic. It’s a mystery how this came to me. I was inspired by a little tune I heard in a TV commercial and wanted to recreate it. The only way I could come close was to capo in this fashion.
Enjoy!
“Refine your skills to support your instincts.”
My third revelation was this: I don’t have to wait for inspiration, genius or even luck to strike me with a song. Like other songwriters I will occasionally (rarely) write a song so swiftly that it passes through me like magic. That’s a wonderful gift, and many say that this is the definition of inspiration. But I learned that a well of inspiration is within me all the time. When I’m gardening, walking the dog, watching TV, driving, or reaching for the popcorn.
First there is the writing, dipping into the well of images and feelings, and then there is the editing, when the honesty of internal critic comes to my aid. In either phase, but especially in the editing, I sometimes have to work past the frustration, just keep writing, and other times I have to walk away and allow the well to refill. I just have to be awake and listening. I have to work at the discipline of “refining my skills to support my instincts,” something Rosanne said, quoting her friend Linda Ronstadt. It’s an incentive to keep working, keep writing.
Stephen Kellogg was the youngest one in our group. — with Suzanne Jackson Henry. (1997) Photo by Barney Miller?
I learned that persistence pays off. This is hard work and it’s sometimes necessary to leave a trail of bread crumbs on the way in. I will probably have to sacrifice parts of my ego that I’d just as soon keep, like my pride. But it’s worth it!
Here are some of Rosanne’s closing remarks to the group. I’ll try to remember them while I’m gardening, walking the dog, or reaching for the popcorn. And writing songs, of course.
“There’s nothing more sacred to me than songs and songwriters. To cultivate [this] kind of listening helps me to listen to my own life. To listen to the small moments that might otherwise just go right by me. But if I’m listening I’m going to get it, I’m going to get to bring something back to my life. Part of it is about not being alone, connecting with other writers. [Writing is] such a lonely experience sometimes, isolating at the very least and lonely at its worst.”
“Your responsibility is to tell the truth. Not the facts, necessarily. It could be the facts, but it’s basically the truth. That means being a truthful person. You can’t tell the truth in your work if you don’t tell the truth in your life. So I encourage you to be scrupulous in your truth ethic, with yourself — scrupulous. Even when no one’s looking — especially when no one’s looking. Just for yourself. I encourage you to wake up more every day, even if it hurts. But keep waking up, even if your heart breaks a little more every step of the way. Keep waking up. Bring it into poetry for the rest of us because our hearts are breaking a little every step along the way, too, and we need the poetry, desperately. We need the songs.”
© Patti Witten